The Criterion Collection
Aug 27, 2020 — In his novel All the Rest Have Died (1964), about his experience as a young actor in New York, Bill Gunn wrote, “I was always only slightly aware of the injustice the Black artist suffers while trying to create in...
Production Notes
Aug 24, 2020 — In memory of D. A. Pennebaker (1925–2019) 1. The great documentary filmmaker D. A. Pennebaker was motivated to shoot by curiosity. He loved music and friendship, and he had an understanding that everything he filmed recorded histories both personal and...
Jun 8, 2020 — When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
Features
Mar 3, 2020 — American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...
Dec 23, 2019 — Fear and desire lie at the heart of Peter Strickland’s cinema, whether he’s exploring those themes through the sonic, the sexual, the sartorial, or some diabolical combination of all three. With his masterful sense of film technique, the British director...
Nov 26, 2019 — Bette Davis gets the first laugh in Joseph L. Mankiewicz’s All About Eve (1950), and a little over two hours later, she gets the last laugh too. The film opens at the dinner for something called the Sarah Siddons Award...
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...