March Books

The Daily

Mar 7, 2019 The art of Orson Welles and David Lynch, the marriage of Fay Wray and Robert Riskin, and the criticism of Adrian Martin and David Thomson are among the subjects in this month’s round.

Feb 26, 2019 He gave us some of the greatest musicals ever made and followed up with winning comedies, romances, and thrillers.

Feb 5, 2019 Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Jan 11, 2019 A big list from the American Society of Cinematographers, a series celebrating a slew of twentieth anniversaries, and two great series in New York.

Jan 4, 2019 The new year brings us new issues of Cinema Scope, Film Comment, the DGA Quarterly, and World Records.

Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 3, 2018 True Stories, David Byrne’s 1986 paean to American eccentricity and ordinariness, called to me from the shelves of a video store in Austin, Texas. Subtitled “A Film About a Bunch of People in Virgil, Texas,” True Stories is not “true”...

Nov 28, 2018 The career of one of Italy’s greatest directors was riddled with scandal and accolades.

Nov 15, 2018 In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.

Oct 23, 2018 Brian De Palma found his home in the psychological thriller with this chilling tale of murder, which twists genre conventions to investigate the perils of looking and the pitfalls of subjectivity.

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