La corruzione (la Corruption/Corruption

Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Jan 25, 2009 — Conventional wisdom once held that any European film worth seeing passed through the New York Film Festival. Still, when I first began reviewing movies for the Village Voice in the late seventies, there were some legendary exceptions: Tarkovsky’s The Mirror,...

Jan 21, 2009 — It’s a clichéd truism that moviemaking is a collaborative art. Of course it is, and there are dozens, if not hundreds, of examples of directors working time and again with the same crew members, trusted writers, cameramen, production designers, editors,...

Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.

Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his char­acters in particular and for people in general.

Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Emerging in France during the 1930s, this movement combined working-class milieus with moody, proto-noir art direction to stylishly represent contemporary social conditions.

Oct 6, 2008 — Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

Sep 15, 2008 — Max Ophuls’s 1952 comedy celebrates existence by presenting a world full of unresolvable contradictions.

Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.