The Criterion Collection
Essays
Jun 7, 1999 — “Off there to the right—somewhere—is a large island,” said Whitney. “It’s rather a mystery—” “What island is it?” Rainsford asked. “The old charts called it Ship-Trap Island,” Whitney replied. “A suggestive name, isn’t it?” Sailors have a curious dread of...
The Daily
Nov 26, 2024 — An animated menagerie teams up to survive a postapocalyptic flood in this wordless adventure.
The Daily
Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
The Daily
Aug 6, 2019 — The groundbreaking filmmaker had a hand in inventing—and then reinventing over and again—the modern documentary.
On the Channel
Mar 20, 2018 — Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
The Daily
Mar 9, 2022 — MoMI celebrates ten years of its First Look festival with five selections from previous editions.
Dec 13, 2021 — When Jessica Beshir embarked on making her debut feature more than a decade ago, she realized she was going to have to get comfortable with the unfamiliar and unknown. Not only did the Mexico-born, Brooklyn-based filmmaker have to learn how...
The Daily
Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”
Jun 8, 2020 — When she was asked to profile a director for the long-running French docuseries Cinéma, de notre temps, Chantal Akerman wondered: what better subject than herself? The producers agreed, and the Belgian-born filmmaker was inspired to edit together from her existing...