The Criterion Collection
Jun 27, 2011 — Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest cast of amateur actors, a relatively untested, unknown crew, and no major studio backing, the late silent film People on Sunday (1930) has...
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...
Jun 9, 2003 — In Stan Brakhage’s films we enter into momentary perceptual transactions in which we trade unhindered assimilation of images for intensified contact with pictorial or sensory features that might otherwise go unnoticed.
The Daily
May 24, 2023 — Two of Cannes’s favorite directors, Aki Kaurismäki and Wes Anderson, return to the competition.
The Daily
Sep 27, 2019 — Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.
Criterion Designs
Feb 27, 2019 — Studio Visits Growing up in Houston, Texas, in the 1970s and ’80s, Greg Ruth fell in love with art but had a hard time imagining himself pursuing it professionally. But almost three decades of devotedly plying his craft as an illustrator in a...
The Daily
Aug 6, 2025 — The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.
The Daily
Apr 14, 2025 — The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.
May 14, 2024 — Few filmmakers had a greater impact on the shape and direction of American cinema in the 1960s and ’70s.
The Daily
May 2, 2024 — The series spotlights rarely seen films by Shirley Clarke, Marie Menken, Bette Gordon, Jack Smith, and dozens more.