The Criterion Collection
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
May 17, 2016 — Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.
May 12, 2016 — When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
Apr 20, 2016 — In an interview published this week at the A. V. Club, writer Adam Nayman sits down with actor Nina Hoss, the star of Christian Petzold’s haunting 2014 film Phoenix, which we’re releasing on disc next week. The film is a...
Sneak Peeks
Mar 31, 2016 — Since its initial release more than half a century ago, Vittorio De Sica’s Bicycle Thieves has been lauded as one of cinema’s greatest achievements. Loosely adapted from a novel by Luigi Bartolini, the film centers on a father’s quest—with his...
Mar 21, 2016 — Edward Yang’s masterful 1991 adolescent epic telegraphs the tensions and turbulence of 1960s Taiwan, when youth pop culture and teen street gangs became a major societal force.
Production Notes
Mar 21, 2016 — 1. This week, we’re proud to release our long-awaited 4K restoration of Edward Yang’s 1991 masterpiece A Brighter Summer Day. Long unavailable on home video in the United States, this incomparable work of Taiwanese cinema is now out on Blu-ray and DVD,...
In Theaters
Mar 17, 2016 — Repertory Picks This weekend, Row House Cinema will launch the first-ever Pittsburgh Japanese Film Festival, featuring four diverse films by some of Japan’s most beloved filmmakers—including Akira Kurosawa and Yasujiro Ozu. Among the films screening during the festival is Ozu’s...
Mar 15, 2016 — Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.