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Aug 23, 2019 A good number of the pieces that have stood out this week examine the ways that music and cinema have informed each other’s traditions.

Jun 14, 2019 On the late Peter Whitehead, Jordan Peele’s Us, drag culture, European refugees, and images of incarceration

Nov 5, 2018 Alice Rohrwacher’s third feature, currently playing in Europe, heads to home screens at the end of the month.

Two Other Americas

The Daily

Oct 1, 2018 On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.

May 14, 2018 In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.

Jan 23, 2018 Mandy, screening in the Midnight program at Sundance, “is a midnight-movie festival unto itself,” declares A. A. Dowd at the A.V. Club: “over two gonzo hours, it combines giallo, Clive Barker, Death Wish, prog rock, heavy metal, Heavy Metal, Guy...

Jan 20, 2018 “Twenty years ago,” begins Variety’s Peter Debruge, “Robin Williams approached director Gus Van Sant about developing irreverent Portland cartoonist John Callahan’s memoir, Don’t Worry, He Won’t Get Far on Foot, with the intention of playing its author—a quadriplegic skirt-chaser, wheelchair...

Dec 14, 2017 Following the announcement that Wes Anderson’s Isle of Dogs will be opening the sixty-eighth Berlin International Film Festival (February 15 through 25), the Berlinale now presents the first eleven titles lined up for its Panorama section, including new work from Kiyoshi Kurosawa (Tokyo Sonata),...

Oct 31, 2017 New York. “Cinema began less as an art, more as a curiosity,” writes Tyler Maxin at Screen Slate. “Its early practitioners were hucksters, charlatans, and illusionists, and its direct predecessors were phantasmagoria, magic lanterns, vaudeville, and sideshows.” Tonight at Light...

Oct 28, 2017 We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

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