The celebrated actors select favorite movies starring their friends Jason Schwartzman and Jane Fonda, regale us with stories about Omar Sharif and David Lynch, and share their love for films by Hal Ashby and David Lean.

The Criterion Closet’s very first guest stops by the Mobile Closet at the Toronto International Film Festival, where he examines the technical brilliance of a scene in Notorious, shares why he feels a kinship with Wes Anderson, and talks about...

The CEO and chairman of Sony Pictures Motion Picture Group fondly reminisces about working with Jim Jarmusch early in his career, shares why Harlan County USA remains one of the most important documentaries of all time, and celebrates the independent...

Stocked with more than 1,000 of the greatest films from around the world, the Criterion Closet may offer more cinematic inspiration per square foot than any other place on the planet.

The writer and director talks about how Girlfight reflects the vibrant spirit of director Karyn Kusama, praises Topsy-Turvy as his favorite Mike Leigh film, and takes home Hell’s Angels to watch with his wife, Hollywood historian Karina Longworth.

The actor recalls a memorable viewing of The Red Shoes, celebrates performances by Kirsten Dunst and Nicole Kidman, and shares why The Worst Person in the World made her want to work with Joachim Trier.

The actor talks about falling in love with Some Like It Hot at a young age, praises Lili Taylor’s and River Phoenix’s tender performances in Dogfight, and shares the profound effect that Streetwise has had on her.

The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...

The actor and authorexplains why everyone should be required to experience the work of Laurie Anderson, praises the way Kes portrays the relationship between man and nature, and talks about how A Room with a View turned him into a...

The actor shares her longtime love for the films of Akira Kurosawa, talks about seeing Children of Paradise at an art-house cinema in the 1940s, and fondly recalls riding a scooter with Richard Roundtree.

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