The Man and the Woman

Mar 20, 2018 — “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...

Mar 15, 2018 — In what Tim Adams, profiling Tacita Dean for the Guardian, calls “an unprecedented collaboration” between “three of the nation’s most prestigious institutions,” two exhibitions are opening in London today—Portrait at the National Portrait Gallery and Still Life at the National...

Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.

Feb 28, 2018 — A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.

Feb 18, 2018 — “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...

Feb 15, 2018 — First up, that's Robert Pattinson in the image up there, the first, released just today, from Claire Denis’s High Life. Secondly, Ioncinema’s countdown of the most anticipated American independent films of 2019—again, twenty-nineteen—continues with notes on Shane Carruth’s The Modern...

Feb 12, 2018 — Before looking ahead to some of this week’s highlights city by city, we have some festival news to see to. The Venice International Film Festival has announced that Guillermo del Toro (The Shape of Water) will preside over the International...

Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.

Jan 7, 2018 — The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...