The Criterion Collection
Feb 12, 2007 — Bicycle Thieves is truly one of my favorite films. I could watch it over and over again, and in truth, I have.
Essays
Aug 18, 2003 — Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.
Essays
May 26, 2003 — Embracing the world while pretending to sneer at it, Henri-Georges Clouzot’s crime film is rich, deep, and wily.
Nov 19, 2001 — Luis Buñuel’s drama is a seductive work that exemplifies, even as it studies, the perversity of human desire.
Essays
Jun 25, 1989 — A thoroughgoing investigation of the terms “bravery” and “cowardice,” Stanley Kubrick’s early work offers far more than a mere “anti-war” statement, paring with almost surgical precision to the heart of the fear, hubris and mendacity that keep the war machine...
Features
Mar 3, 2020 — American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...
Feb 26, 2020 — Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...
Features
Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...
Short Takes
Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...