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His House

Jan 13, 2015 Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.

Dec 3, 2014 “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Oct 27, 2014 Though he emerged from established stage and screen comedy traditions, Tati invented a completely new filmic language.

Oct 16, 2014 This past August, on the occasion of Volker Schlöndorff’s being selected for a Silver Medallion award by the Telluride Film Festival, Criterion’s Peter Becker talked with the German filmmaker about his long career. A short version of the conversation was...

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Oct 2, 2014 People struggle to escape their socially dictated roles in Rainer Werner Fassbinder’s moving, Douglas Sirk–inspired melodrama.

Sep 24, 2014 Roman Polanski’s dark vision is the perfect fit for Shakespeare’s grim tale of treachery and ambition.

Sep 16, 2014 The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...

Sep 2, 2014 The following is excerpted from the book-length study Terence Davies, out September 8. See the bottom of the post for a clip of the scene it describes. Excerpt copyright 2014 by the Board of Trustees of the University of Illinois...

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