The Criterion Collection
May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...
Dec 16, 1991 — Lady for a Day represented a watershed in the career of Frank Capra. The young director had been laboring at Columbia Pictures’ Poverty Row Studio, churning out 18 films in less than six years. He had moved from low-budget programmers...
May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...
A Pan-African musical spectacular; an essential queer 1990s romance; an irresistible rock-and-soul comedy; an antifascist fairy tale; an urgent moral thriller; an antiheroic portrait of a famed explorer; three paeans to bodies in motion; a masterpiece of early-1970s American alienation;...
The actor praises Amy Heckerling’s gift for capturing the experience of youth on-screen, celebrates the rich legacy of musician Ryuichi Sakamoto, and calls Richard Linklater “the great American director.”
The actor selects an American indie classic by Greg Mottola, talks about rediscovering Videodrome on the Criterion Channel, and selects favorites like How to Get Ahead in Advertising, My Life as a Dog, and Tootsie.
A groundbreaking visual stylist, this iconic American director has captivated generations of film lovers with his meticulously crafted epics about war, violence, and history.
The writer and director of Misericordia talks aboutfinding beauty in Todd Solondz’s explorations of perversion, shares his love of how David Lynch fractures the American dream, and praises the “cinematic choreography” in Pickpocket.
With his raw DIY style and vibrantly collaborative process, the Oscar-winning writer-director has become contemporary cinema’s foremost chronicler of American dreamers and schemers.
The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...