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The Thing

Jan 31, 2024 Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Driven to Create

The Daily

Nov 11, 2022 This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.

Sep 16, 2022 The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

Sep 16, 2021 For some, it’s “a relentless, propulsive chase movie,” while others find this first part to be “a turgid preamble with little payoff.”

Apr 22, 2020 Deep Dives The Forest for the Trees, by German filmmaker Maren Ade, is one of the deepest depictions of loneliness on-screen. After serving as a television producer and shooting two shorts, Ade made this first feature, based on her own...

Apr 2, 2020 Artforum and Bookforum join Filmmaker and Film Quarterly in offering free access to their latest issues.

Feb 26, 2020 Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

December Books

The Daily

Dec 19, 2019 Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.

Jul 2, 2019 Father-child relationships come into focus in this week’s Short and Feature pairing on the Criterion Channel, which examines the trauma of coming of age with an emotionally unstable parent. Presented with Víctor Erice’s El Sur, Charles Williams’s All These Creatures follows...

Mar 12, 2019 By dint of perseverance, Harold Lloyd, the modest son of Burchard, Nebraska, became the prince of Hollywood, California, where he lived the Horatio Alger dream. His life and his memorable films alike echo Alger’s theme of young men who apply...

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