The Criterion Collection
Apr 3, 1989 — If the notion of “fiftes science-fiction films” conjures up pictures of scantily clad women defending their virtue against rubber-suited aliens, it is not for want of exceptions. MGM’s Forbidden Planet remains the most remarkable of these, a glossy, relatively high-budget...
Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
The Daily
Apr 6, 2026 — New York’s Film Forum screens thirteen features by the master of urbane comedy.
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
Features
Jan 15, 2017 — To make the performance of a tedious, exacting, time-consuming task riveting to watch, it is only necessary for the activity to be illegal.
Essays
Jun 18, 2001 — Pent-up, unfulfilled sexuality spills onto the screen in Douglas Sirk’s sumptuous melodrama.
The Daily
Apr 15, 2026 — The festival presents winners of top prizes in Rotterdam and Locarno as well as highlights from Cannes and Berlin.
The Daily
Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”