The Criterion Collection
May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.
May 28, 2019 — Songbook Some songs are so beautiful that it takes six or seven or fifty listens before you really hear the words. High on the list of the greatest American songwriters, Jerome Kern crafted many such melodies: perfect enough to momentarily...
The Daily
May 24, 2019 — In the spotlight this week: Barbara Rubin, Chantal Akerman, Kenji Mizoguchi, Dominik Graf, and Tomás Gutiérrez Alea.
The Daily
May 22, 2019 — Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
The Daily
May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.
The Daily
May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.
The Daily
May 18, 2019 — Diop’s debut fiction feature is a love story, a detective story, and a ghost story.
The Daily
May 16, 2019 — Initial response to Silverstein’s first fiction feature is ranging from warm to very warm indeed.
The Daily
May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.