The Criterion Collection
Jun 20, 2014 — Peter Weir’s sun-dappled, sexually charged nightmare about a disappearance in turn-of-the-twentieth-century Australia still unnerves due to its radical lack of resolution.
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
May 13, 2014 — Few national cinemas have confronted the issue of preparedness for war with the creative vigor of England’s. Thorold Dickinson’s The Next of Kin (1942), Alberto Cavalcanti’s Went the Day Well? (1942, from a story by Graham Greene), and, of course,...
In Theaters
May 1, 2014 — Repertory PicksCinema lovers in New York will have their calendars full for the coming month. Museum of the Moving Image is hosting the most comprehensive United States retrospective of Kenji Mizoguchi films in decades. Usually named right below Akira Kurosawa...
Essays
Apr 29, 2014 — One legendary American director pays tribute to another.
In Theaters
Mar 13, 2014 — Repertory PicksThe lovely domestic drama Equinox Flower (1958) was the first color film by the great Japanese director Yasujiro Ozu. Though this master of cinematic composition was initially resistant to moving to the relatively new process (the first color film...
Features
Mar 4, 2014 — The great documentarian Claude Lanzmann’s new movie, made from footage he didn’t use in Shoah, provides a fascinating glipse at the way he began that monumental project.
Short Takes
Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...
Essays
Jan 14, 2014 — Jules Dassin’s atmospheric, genre-defining heist thriller combines American virtuosity with French cool.
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.