The Criterion Collection
Short Takes
Apr 10, 2017 — Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.
Jan 9, 2017 — Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Oct 1, 2014 — In the hands of director Serge Bourguignon, a potentially sensationalistic story becomes a poetic and complex investigation of love and pain.
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
May 20, 2009 — Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...
May 12, 2008 — Today it may be hard to understand the shock waves that Louis Malle’s romantic drama created with its “frank” depiction of a woman’s sexual pleasure, but in the context of late-1950s France, it was a bombshell.
Apr 23, 2007 — Louis Malle’s documentary work adopts certain tenets of cinéma direct—improvisation, minimal crew, the refusal to organize reality—and applies them to a consistently class-conscious, outsider perspective.
Essays
May 24, 2004 — By piling on naturalistic details to keep the heat constantly in our minds, Akira Kurosawa creates a visual and behavioral excess that highlights the fixation of his hero on retrieving his stolen gun.
Essays
Feb 19, 2001 — Michael Powell and Emeric Pressburger’s romance film spins a web of myth and evocative symbolism around its central search for self-discovery.