14’s Good, 18’s Better

Jul 3, 2009 — It’s often said that there’s never been a movie quite like Alain Resnais’ Last Year at Marienbad. But in paying tribute to this French New Wave landmark on the occasion of its release in Criterion DVD and Blu-ray editions, some...

May 20, 2009 — With its madcap mixture of the political and the, uh, porcine, Shohei Imamura’s Pigs and Battleships is a strange (and strangely satisfying) beast indeed. To better understand where the director was coming from when he made this breakthrough work, we...

May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...

Feb 9, 2009 — Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it, we watch a trivial breach of etiquette transform into the destruction of civilization. Not only does this story undermine our confidence...

Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...

Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.

Nov 19, 2008 — Albert Lamorisse’s principled balancing of objective fact with childish wish fulfillment results in a new, paradoxical genre—the documentary of dreams.

Nov 11, 2008 — Groundbreaking modernist artist Paul Strand (1890–1976) might have been better known for his photography than his filmmaking, but the two films he directed are both extraordinary testaments to his brilliance. The first, his silent 1921 avant-garde masterpiece Manhatta, a luminous...

Sep 22, 2008 — With their rotating casts of sourpuss Finns and their stringent compositions, Aki Kaurismäki’s films would seem the least likely candidates for laughs, yet his black-comic precision has made him one of the most warmly embraced filmmakers on the international art-house...

Delicately riding the line between pulp and art, these films refuse to be marginalized, lower budgets and lack of Hollywood gloss be damned.