The Son

Dec 23, 2022 — A roundup of holiday reading featuring Ingmar Bergman, Hou Hsiao-hsien, Damien Chazelle, Ernst Lubitsch, and Carolee Schneemann.

Dec 13, 2022 — A departure from the tales of sex and violence that defined Black cinema in the early 1970s, Michael Schultz’s beloved coming-of-age film celebrates the emotional bonds among a group of young Black men.

Oct 26, 2022 — The ’80s Horror collection now playing on the Criterion Channel brings together some of my favorite films from a time when the horror genre took on strange and thrilling new forms. When I began programming it, my thoughts drifted back...

Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.

May 25, 2022 — Mira Nair’s sumptuous second feature explores migration, rebellion, and romance across racial borders in the American South.

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Dec 26, 2021 — As the holiday season begins to wind down, we’re proud to close out another year in our online magazine by looking back at a few of our favorite essays and interviews.

Dec 17, 2021 — A Nicole Brenez dossier and writing on Melvin Van Peebles and Nicolas Cage are among this week’s highlights.

Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Jan 29, 2021 — Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...