The Criterion Collection
Essays
Jun 21, 2010 — A new man is being born, fraught with all the fears and terrors and stammerings that are associated with a period of gestation. —Michelangelo Antonioni Red Desert came out in 1964, almost twenty years after the end of the war,...
Apr 20, 2010 — In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to...
Nov 30, 2006 — We've been all over the city in the past couple of days, lugging around the fourteen-pound Janus box in a prototype Janus tote, feeling a little like traveling salesmen, but it's okay, because Paris is just so beautiful, even on...
Ivone Margulies is the author of In Person: Reenactment in Postwar and Contemporary Cinema and Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. She is the editor of Rites of Realism: Essays on Corporeal Cinema and the coeditor of On Women’s Films:...
Short Takes
Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
The Daily
Mar 13, 2025 — Top prizes in the narrative and documentary feature competitions go to Amy Wang and Benjamin Flaherty.
The Daily
Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.
Jul 22, 2020 — Here’s the latest on how Venice, Toronto, Locarno, and other festivals are radically rethinking this year’s editions.
The Daily
Sep 19, 2019 — Reteaming with Pedro Almodóvar, the Spanish star delivers a performance all the more powerful for its restraint.
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.