The Last Movie

Jan 19, 2010 — Tributes to Eric Rohmer have been springing up all over following his death last week at age eighty-nine. Among our favorites thus far is the one by Geoffrey O’Brien, who has written stirringly and lyrically about the French auteur on...

Dec 21, 2009 — Me and Orson Welles is the latest film from director Richard Linklater (Slacker, Dazed and Confused). Set in late-1930s New York, it’s both a nuanced, entertaining look at Orson Welles’s early career as founder of the Mercury Theater and a...

Dec 15, 2009 — Last Friday, Fumiko, Issa, and I went up to Rochester, New York, to the Eastman House. We have been talking to them about accessing their archive on a more regular basis, starting with the three von Sternberg films that are...

Dec 2, 2009 — It’s hard to believe, but it’s been thirty years since average joe Brian Cohen was mistaken for the Messiah in Monty Python’s Life of Brian. For the UK’s Telegraph, writer Sanjeev Bhaskar looks back fondly at the production and outraged...

Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...

Jul 16, 2009 — The venerable critic Andrew Sarris, now eighty-one years old, gets his due in a lovely profile in the New York Times by Michael Powell (no, not that one). This die-hard auteurist, who has contributed writing and been featured in on-screen...

Apr 27, 2009 — The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...

Mar 18, 2009 — Writer, critic, and film lecturer Teruyo Nogami also served as one of Akira Kurosawa’s principal assistants. Hired as script supervisor on 1950’s Rashomon, Nogami went on to work on all of Kurosawa’s subsequent films, later chronicling their unique relationship in...

Nov 27, 2008 — Despite Samuel Fuller’s career-long penchant for giving controversial subjects a punchy, exploitation-movie spin, his twenty-first feature was the first to suffer outright suppression.

Nov 23, 2008 — The possession of a real voice is always a marvel, an almost religious thing.