The Criterion Collection
The Daily
Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.
The Daily
Jul 24, 2018 — Yorgos Lanthimos will open the NYFF, and Claire Denis’s High Life will be among the world premieres in Toronto.
Sneak Peeks
Jun 21, 2018 — How much can a film turn the tide on American violence? Michael Moore and archivist Carl Deal reflect on the moral urgency that gave rise to one of the most talked-about documentaries of all time.
The Daily
Oct 3, 2017 — “American Gods star Pablo Schreiber will play astronaut Jim Lovell in Damien Chazelle’s moon-mission movie First Man,” reports Deadline’s Anthony D’Alessandro. In March, D’Alessandro noted that the story, based on James R. Hansen’s 2005 book, “follows NASA’s mission to land...
Short Takes
Sep 25, 2017 — Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
The Daily
Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...
The Daily
Jul 7, 2017 — “To celebrate the 50th anniversary of Mario Bava's horror classic Kill, Baby...Kill!,” begins Dustin Chang at ScreenAnarchy, “New York's newly renovated Quad Cinema has organized a near-complete retrospective of the highly influential Italian horror maestro's filmography. But the main draw...
May 17, 2017 — With her son, Felix Moeller (Forbidden Films), Margarethe von Trotta (The Lost Honor of Katharina Blum, Hannah Arendt) will direct the documentary Ingmar Bergman – Legacy of a Defining Genius, reports Variety’s John Hopewell: “Exploring Bergman’s work with his closest...
Mar 15, 2016 — Set during the height of McCarthy-era paranoia and arriving in 1962, in the middle of the Cuban Missile Crisis, John Frankenheimer’s high-anxiety Communist conspiracy thriller tapped into the darkest fears of Cold War America.