The Criterion Collection
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May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.
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May 21, 2019 — Willem Dafoe and Robert Pattinson star in a two-hander that’s scoring some of the best reviews at this year’s festival.
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May 20, 2019 — For many, the semi-autobiographical film is one of Almodóvar’s best in years.
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May 17, 2019 — Ly’s fiery fiction feature debut alludes not only to Hugo but also to Fuqua, Kassovitz, and Spike Lee.
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May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.
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May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.
May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...
May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...