The Criterion Collection
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
Essays
Jul 9, 2001 — John Schlesinger’s beloved dramedy subverts the conventions of British kitchen-sink realism.
Essays
Jun 18, 2001 — Bathed in scarlet hues, Ingmar Bergman’s period drama is his most daring attempt to achieve a dream state on film.
Essays
Jun 18, 2001 — Pent-up, unfulfilled sexuality spills onto the screen in Douglas Sirk’s sumptuous melodrama.
Essays
Apr 23, 2001 — Released in late 1938, Alexander Nevsky was not only the first sound film to be directed by Sergei Eisenstein, but the director’s political comeback as well. This most famous of Soviet artists had not completed a movie since The Old...
Essays
Feb 19, 2001 — Leaving the theater after the tumultuous world premiere of Do the Right Thing at Cannes in May of 1989, I found myself too shaken to speak, and I avoided the clusters of people where arguments were already heating up. One...
Essays
Jan 29, 2001 — Invisible monsters suck out your brains! And that’s just for starters.
Essays
Oct 2, 2000 — The most important of Brian De Palma’s earlier features, Greetings (1968) and Hi, Mom! (1970), resist the commodification of entertainment while charting the development of Jon Rubin (Robert De Niro) from voyeur to filmmaker to urban guerilla. If pictures like...
Essays
Aug 28, 2000 — The acclaimed humorist’s work sees the range of human folly sans romance and piety.