The Criterion Collection
Aug 6, 2017 — “First there is the darkness of a limestone mine, lit only by helmet flashlights and the occasional shower of flinty sparks from a pickax connecting with rock,” begins Jessica Kiang in Variety. “And then there’s the comparative dazzle of the...
The Daily
Jul 26, 2017 — Shot by Carlo Di Palma, from Rome to New York is the title of the Film Society of Lincoln Center series celebrating the work of the cinematographer who worked with some of Italy’s greatest directors before moving to the States...
May 19, 2017 — “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...
Essays
Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.
Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.
Jun 1, 2016 — With Wrong Move, Wim Wenders made “a movie about the impossibility of moviemaking, a road movie about the uselessness of travel, a literary film about the impossibility of communication.”
Jun 17, 2015 — From a shrewd adaptation by André Gregory and Wallace Shawn, Jonathan Demme fashions a visually inventive dreamscape out of an Ibsen classic.
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Jan 21, 2015 — Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?
Features
Jun 12, 2014 — The filmmaker’s latest offering at the film festival reaffirms the author’s faith in him.