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Love Story

Mar 17, 2020 Released in, or rather let loose upon, the first year of the new millennium, Spike Lee’s febrile and ferocious media satire Bamboozled—the fifteenth feature-length “joint” of a prolific career—found its writer-director in an unflinching mode and an unforgiving mood. According...

Mar 11, 2020 Two series, one on each coast, and an exhibition celebrate the work of the German filmmaker and photographer.

Mar 10, 2020 In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...

Mar 9, 2020 “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...

True/False 2020

The Daily

Mar 5, 2020 One of the most vital showcases of new nonfiction work is now on through Sunday.

Feb 26, 2020 Before making history last year as the first black woman director to compete at Cannes, Mati Diop had been spending the previous ten years articulating her unique vision in a series of five acclaimed short films. The praise Diop has...

Feb 26, 2020 Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

Feb 24, 2020 “Look, Rose, find someone who isn’t sick. The ground’s covered with them.” Kirk Douglas in The Story of Three Loves Kirk Douglas’s casual mode is a look of anguished alertness. He has as an inbuilt ability to register tension, anxiety,...

Feb 24, 2020 The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.

Feb 11, 2020 How might four history-making Oscars impact movies from here on out?

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