After the war

Aug 1, 2025 — On our minds this week: Renoir, Malick, Rozier, and a trip to FIDMarseille.

Jan 31, 2025 — As an Australian classic turns fifty, we’re also reading about Leos Carax and Catherine Breillat.

Aug 12, 2024 — The great actor creates an unforgettable portrait of a man worn down by the world in Tamara Jenkins’s darkly funny and deeply moving family drama.

Jul 19, 2023 — This month we’re reading Pasolini, Chris Marker, Christian Petzold, Lorenza Mazzetti, Derek Jarman, and more.

Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Jul 6, 2021 — Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Apr 22, 2021 — Monte Hellman In 1965, Monte Hellman took a cast and crew to a desert in Utah and shot two westerns back to back. With The Shooting and Ride in the Whirlwind, Hellman introduced an existential dread and a Beckettian sense...

Apr 19, 2021 — What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....

Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...

Feb 21, 2020 — Few big-screen depictions of World War II have brought its atrocities to life with the brutality and cinematic ingenuity of Come and See, the legendary final film by Soviet director Elem Klimov. A restoration of this masterpiece opens today at...