The Criterion Collection
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
The dynamic, Tokyo-born star was convincing whether playing a mercenary lone wolf or a heartsick love interest, a hero or a villain, in a sleek suit or samurai robes, and just as comfortable blending in to an ensemble as commanding...
Apr 17, 2013 — Four of the great Japanese director’s lesser-known, early films show the coming into being of a political artist.
Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
Sneak Peeks
Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...