The Criterion Collection
Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.
Interviews
Oct 29, 2013 — In this 1997 interview, the British-born Hollywood director talks about his early career and the making of his most famous film, The Uninvited.
Oct 24, 2013 — In John Cassavetes’s personal cinema, the director was always trying to break away from the formulas of Hollywood narrative, in order to uncover some fugitive truth about the way people behave. At the same time, he took seriously his responsibilities...
Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Essays
Sep 18, 2013 — This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.
Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.
Jul 3, 2013 — PerformancesIn Rosemary’s Baby, one of the first exclamations that Minnie Castevet (Ruth Gordon) makes on hearing the news that her young neighbor Rosemary (Mia Farrow) is expecting a little bundle of joy is “I can’t wait to tell Laura-Louise!” Earlier,...
Jul 1, 2013 — How the original comic everyman made us laugh and fear for his life.