The Criterion Collection
Oct 12, 2022 — In one of Brazil’s largest favelas, women create their own underground economy.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
Oct 7, 2022 — This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.
The Daily
Oct 6, 2022 — Once again, the New York Film Festival presents not one but two new films by Hong Sangsoo.
The Daily
Oct 5, 2022 — Highlights include new work from Chinonye Chukwu, Lars von Trier, Elegance Bratton, and Jerzy Skolimowski.
The Daily
Sep 30, 2022 — We’re reading interviews with Garret Bradley and Don Hertzfeldt and a marvelous account of the making of Nosferatu the Vampyre (1979).
The Daily
Sep 29, 2022 — An erotically charged “musical fantasia” opens the NYFF’s Currents program.
On the Channel
Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.
The Daily
Sep 28, 2022 — Vicky Krieps stars in an irreverent reimagining of a year or so in the life of Empress Elisabeth of Austria.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.