The Line

Oct 26, 2023 — Ever since he began working with the Miami-based film festival and collective Third Horizon in 2016, Jonathan Ali has been finding ways of celebrating Caribbean cinema and how it captures the irreducible complexity of the region and its diaspora. He...

Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.

Sep 22, 2023 — John Waters goes Hollywood, Terence Davies reads a poem, and Marguerite Duras tears it all down.

Aug 25, 2023 — Between 1960 and 1964, Roger Corman directed eight films loosely derived from Edgar Allan Poe and in all but one case starring Vincent Price: House of Usher (1960) was followed by The Pit and the Pendulum (1961); the omnibus feature...

Jul 11, 2023 — Screenings of work by Yasujiro Ozu, John Ford, Erich von Stroheim, and more will all feature live musical accompaniment.

Apr 14, 2023 — This week: Interviews with Rob Tregenza and Ari Aster and new writing on Lubitsch, Jarmusch, and Laura Citarella.

Mar 29, 2023 — The Brazil-based programmer discusses her transnational, oppositional approach to curating the daring lineup for Opacity, which was presented at the Flaherty Seminar in 2021 and is now available on the Criterion Channel.

Mar 9, 2023 — This year’s edition retains that SXSW signature mix of boldfaced crowd-pleasers and fresh discoveries.

Feb 23, 2023 — Notes on new features from Christian Petzold, Angela Schanelec, Margarethe von Trotta, and Volker Koepp.

Feb 14, 2023 — Entrenched as an authoritative adaptation, this Oscar-winning hit is still admired, taught, and studied today for its spectacular re-creation of the past and its reinvention of the Shakespearean spoken word.