The Life of an Actor

Feb 8, 2018 — “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...

Dec 6, 2017 — Before breaking events down by city, let’s note that, to celebrate its fiftieth anniversary, Canyon Cinema is taking four 16 mm programs and two digital packages on the road—coast to coast and many, many points in between. Here’s a map...

Nov 10, 2017 — New York. “The star of Lost Landscapes of New York is the city itself—or rather the city of dreams and memories,” begins Manohla Dargis in the New York Times. “Created by the archivist Rick Prelinger, this wondrous compilation turns old...

Sep 11, 2017 — In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Sep 7, 2017 — “A central tenet of feminist film theory holds that the havoc wreaked on the bodies of women propels narrative storytelling,” writes Holly Willis in the new issue of Film Comment. “The new film by Jean-Pierre and Luc Dardenne, The Unknown...

Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...

Aug 15, 2017 — Walter Matthau solidified his reputation as a formidable comedic force in this delightful Cold War espionage romp.

Jun 1, 2017 — Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...

May 20, 2017 — “To fans of the mononymous Barbara—the delicate-voiced, emotionally acute French chanteuse adored by everyone from Jacques Brel to François Mitterand—Mathieu Amalric’s mega-meta, dreamily blurred biopic-within-a-film may seem a bemusing tribute to a national icon,” writes Guy Lodge at the top...

Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...