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The Imp

May 24, 2024 During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

Mar 19, 2024 One of the first postrevolutionary Iranian films screened and celebrated internationally, Amir Naderi’s autobiographical masterpiece is a lyrical exploration of childhood that showcases the director’s gift for radical simplicity.

Jan 10, 2024 The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 7, 2023 Nearly half of the films premiering in January will come from first-time directors, but there’ll also be new work from Steven Soderbergh and Richard Linklater.

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

Jun 6, 2023 The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

Apr 28, 2023 One of Britain’s most celebrated playwrights talks about bringing her uncompromising exploration of racism and resistance to the screen.

Mar 3, 2023 The reconstruction and preservation of history are crucial elements of all of this week’s stories.

Jan 6, 2023 The interdisciplinary Canadian artist was best-known in the States for such landmark films as Wavelength (1967) and La région centrale (1971).

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