Nov 12, 1990 For a twenty-seven-year-old director with a smattering of television experience and only one prior feature, Steven Spielberg demonstrated an awesome mastery of the film medium when his first big production hit the screen in 1975. An instant and certifiable phenomenon,...

Sep 24, 1990 Imagine Hitchcock’s Psycho told from the point of view of its title character, and you have a rough idea of Taxi Driver. This riveting 1976 film is at once a thriller, a psychological case study, an exploration of the eroticism...

Feb 11, 1990 Bob Rafelson’s ultimate road movie is a relaxed masterpiece, a film of laid-back innovation that hasn’t aged one iota since its original release.

Show Boat

Essays

Dec 18, 1989 Jerome Kern and Oscar Hammerstein II’s musical was the first to present a panoramic history of America from the Mississippi levees of the 1880s to the Broadway of the 1920s.

Dec 11, 1989 Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.

Jan 11, 1989 Thursday, March 2, 1944—the United States is in its third year of war with the Axis powers. More than 12 million Americans are fighting on various fronts; the German armies are being repulsed at Anzio and the newspapers have large...

Jul 11, 1988 Cinema has given us any number of tales of the criminal underworld, and explorations of the mindsets of murderers—yet there’s been nothing quite like Shohei Imamura’s searing work.

Feb 1, 1988 Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...

Sep 19, 2022 Deeply influenced by his French education but primarily interested in the representation of African realities on-screen, this long-overlooked visionary approached a variety of subjects with a style both investigative and declarative.

Pauline Chen is the author of the novels The Red Chamber and Peiling and the Chicken-Fried Christmas. She has taught Chinese literature, language, and film at Oberlin College and the University of Minnesota.

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