The Criterion Collection
The Daily
Jan 29, 2018 — We begin with the series today, because Michael Haneke has just signed on to direct his first one, Kelvin’s Book. Deadline’s Nellie Andreeva tells us that the “English language, ten-part, high concept series is set in a dystopian world and...
The Daily
Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...
The Daily
Jul 14, 2017 — Catherine Grant tips us off to Leo Robson’s interview with David Thomson for the January 2017 issue of the White Review. “Hawks is still for me the essential American director of the golden age,” says Thomson, and the conversation’s an...
May 21, 2017 — “Arguably, more question marks hung over the prospect of Redoubtable than over any other film in Cannes this year,” begins Jonathan Romney in Screen. “One reason was the idea of Michel Hazanavicius, director of the world-beating The Artist, seeming too...
May 2, 2017 — It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...
Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.
On the Channel
Dec 12, 2016 — Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...
Jul 13, 2015 — “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...
Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...
Nov 8, 2011 — Upon its release in the U.S. in 1983, the theatrical version of Ingmar Bergman’s Fanny and Alexander generated a wealth of controversy. Bergman has always seemed to breed conflict among cineastes (Phillip Lopate, for example, has written recently about the...