From What Is Before

Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Oct 27, 2017 — New York. Hank and Jim, running at Film Forum from today through November 16, is a companion series to Scott Eyman’s new book, Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart. Today “offers back-to-back Hitchcock movies,”...

Oct 6, 2017 — Kevin Jerome Everson has a nine-minute short screening as part of Projections’ Program 1: Speculative Spaces at the New York Film Festival. In IFO, “which stands for ‘Identified Flying Object,’ African Americans look up at the skies and report alien...

Sep 30, 2017 — “Nine years in the making, Western draws its title from [Valeska] Grisebach’s generic source inspiration, the American Western,” wrote Michael J. Anderson in a dispatch back to the Oklahoma City Museum of Art a couple of weeks ago. “Noted for...

Sep 21, 2017 — The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

Sep 6, 2017 — New York. Back in April, Film Forum presented The Complete Wiseman: Part 1: Early Wiseman, the first half of a Frederick Wiseman retrospective that, as Matt Prigge notes in the Village Voice, “covered the prolific and pioneering documentarian’s angriest period.”...

Sep 5, 2017 — Frederick Wiseman “is 87 now,” as Tom Charity notes in the new issue of Cinema Scope. “It may be a little presumptuous to suggest he’s reaching for a summation, but it is sure that he’s only making the films he...

Sep 3, 2017 — We begin with Jessica Kiang at the Playlist: “The book that will someday be written detailing the evolution of the cinematic head-stomp will be divided, rather like the most unfortunate victim of Bone Tomahawk, into two halves: before S. Craig...

Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...