The Criterion Collection
The Daily
Mar 13, 2020 — Maybe in tough times we can draw strength from our passion for great cinema.
Features
Mar 11, 2020 — One Scene With his Oscar-nominated debut feature, Beasts of the Southern Wild, director Benh Zeitlin brought to the screen a vision of Louisiana that combined the unique flavors and textures of his adopted home state with the magical twists and...
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
The Daily
Mar 9, 2020 — The towering Swede left indelible impressions as a medieval knight, a few tormented artists, two emigrants, and a loving father.
Features
Mar 6, 2020 — Above photo: © Chuck Stewart Photography, LLCIn America, black musical genius has never been in short supply, though it hasn’t always been recognized or fairly compensated. Even a casual glance at the résumé of formally trained composer, producer, and arranger...
The Daily
Mar 5, 2020 — One of the most vital showcases of new nonfiction work is now on through Sunday.
Features
Mar 3, 2020 — American cinema is over 125 years old, and African Americans have been a part of it from the beginning. This participation has often been fraught, stymied, and curtailed, but the desire to use motion pictures to craft a self-image has...
The Daily
Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.
Criterion Designs
Feb 26, 2020 — For the Blu-ray edition of Three Fantastic Journeys by Karel Zeman, we wanted to make something that quite literally stood out. As an homage to the pioneering craftsman Zeman—whose wondrous work is represented in our newly released set by Journey...
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...