The Criterion Collection
Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....
Essays
Sep 13, 2004 — The following piece by Sony Pictures Classics cofounder and copresident Michael Barker, who picked up Slacker for Orion Classics in 1991, originally appeared in the program for the 2001 Austin Film Society event Slacker: A Ten-Year Reunion. What I’ve found...
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...
Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...
The Daily
Jan 25, 2024 — Best known for In the Heat of the Night and Moonstruck, Jewison also directed spectacular musicals, heist thrillers, and courtroom dramas.
Jan 22, 2009 — Last fall the Criterion Collection and Janus Films joined forces to acquire a first-run film for theatrical distribution—a rare move for two companies best known for handling the classics of cinema history. Revanche, both an existential thriller and a quiet,...
The Daily
May 21, 2026 — The Cannes sidebar wraps with prizes for three stories about teenage girls and another about a determined adult woman.
On the Channel
Mar 18, 2026 — This month’s highlights include a collection of corporate thrillers, a survey of an emerging generation of trans auteurs, and a new installment of Adventures in Moviegoing with Mary Bronstein.
The Daily
Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.