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At Land

Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...

Sep 13, 2021 — Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.

Aug 30, 2021 — Next month, we’re headed to the Big Apple with a century-spanning survey of New York on-screen.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jul 6, 2021 — Howard Hawks’s madcap battle of the sexes is a reminder of how necessary and sneakily profound silliness can be.

Jun 28, 2021 — Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

One Work, Two Days

The Daily

Jun 23, 2021 — C. W. Winter and Anders Edström’s eight-hour The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) comes to Los Angeles and New York in July.

Jun 17, 2021 — The first real lesbian kiss in a film is an honor that rightfully belongs to Mädchen in Uniform. It’s true that a year earlier, in 1930, Marlene Dietrich played a tux-clad chanteuse who snogs a woman in a nightclub audience...

Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.

Jun 9, 2021 — Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...

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