The Criterion Collection
Essays
Feb 24, 2026 — Centered on the emotional unraveling of a failed newsman, this darkly prescient satire envisions the collapse of American society as we knew it through an unsparing critique of corporate media and capital accumulation.
Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.
Dec 22, 2025 — The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.
The Daily
Sep 22, 2025 — The LA genre festival presents a doc on a reviled sequel as well as the latest features from Radu Jude and Lucile Hadžihalilović.
Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”
The Daily
Aug 4, 2025 — The Lovers on the Bridge (1991) is restored, a series is on in New York, and another heads to Austin.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.
The Daily
Mar 14, 2025 — Spend the weekend with Buñuel, Pasolini, Sarah Maldoror, Todd Solondz, and Pedro Almodóvar.
The Daily
Oct 25, 2024 — An underseen gem of the Czechoslovak New Wave and an ambitious history of Hindi cinema are among this week’s highlights.