Moving

Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.

Aug 29, 2012 — With humor and melancholy, Franc Roddam’s coming-of-age drama, based on the Who’s iconic album, shows us a g-g-generation on the edge.

Aug 28, 2012 — A frenetic portrait of New York as well as a love story, Paul Fejos’s film captures the odd sensation of being alone in the big city, even when in a crowd.

Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.

Jul 24, 2012 — Whit Stillman’s wry comedy about Upper East Siders looked like a perverse bit of daring in 1990; today it seems like an artifact from an earlier century.

Jul 14, 2012 — Simply stated, Wes Anderson is the most original presence in American film comedy since Preston Sturges. He is as boundlessly confident as  Sturges was in his heyday, and he has a similarly keen ear for gaudy dialogue; a gift for...

Jun 26, 2012 — Hiroshi Inagaki’s action epic is as responsible for creating Toshiro Mifune’s legendary cinematic persona as the films of Kurosawa.

May 25, 2012 — The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.

May 17, 2012 — Repertory Picks It’s just a Wes kind of week. To coincide with next week’s U.S. opening of his Moonrise Kingdom, the Museum of the Moving Image in New York is launching a complete retrospective of Wes Anderson’s feature films, called...

Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....