La escondida/The Hidden One

Mar 11, 1991 — Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.

Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.

Oct 29, 1990 — Luis Buñuel’s ode to obsessive love is injected with the biting subversive wit, symbolism, originality and surreal touches that distinguish his finest achievements.

Mar 12, 1990 — This Fred Astaire-Ginger Rogers film is a classic example of how music and dance can be used to tell a story, express emotions, richly explore human relationships, subvert logic, and send us singing and skipping into the street.

Dec 11, 1989 — Michelangelo Antonioni’s classic divided film history into that which came before and that which was possible after its epochal appearance.

Mar 15, 1989 — When Darling debuted in 1965, Bosley Crowther of the New York Times remarked that director John Schlesinger had “made a film that will set tongues to wagging and moralists wringing their hands.” There was plenty of tongue-wagging over this satirical...

Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

Dec 9, 2025 — One Battle After Another carries on plowing through the season while Hollywood braces for “a seismic reorganization.”

Nov 8, 2022 — The Portuguese festival presents one of the largest retrospectives dedicated to the movement ever staged in Europe.

Nov 30, 2006 — We've been all over the city in the past couple of days, lugging around the fourteen-pound Janus box in a prototype Janus tote, feeling a little like traveling salesmen, but it's okay, because Paris is just so beautiful, even on...