The Criterion Collection
Jul 26, 2019 — Brought to harrowing life in this film adaptation, George Orwell’s dystopian vision continues to ring true today. But so does his belief in the power of love and hope to overthrow the darkness.
The Daily
Jul 25, 2019 — The festival will premiere new work from James Gray, Haifaa al-Mansour, Roy Andersson, Ciro Guerra, Costa-Gavras, Roman Polanski, and Olivier Assayas.
The Daily
Jul 24, 2019 — New films by Josh and Benny Safdie, Marielle Heller, Pablo Larraín, Kasi Lemmons, Rian Johnson, Robert Eggers, Steven Soderbergh, and Lou Ye are heading to the festival.
Jul 23, 2019 — The near-future totalitarian England of Michael Radford’s 1984, a powerful adaptation of George Orwell’s classic novel, is a very dark place indeed. The film’s brilliant production design and color-drained photography emphasize the grubby squalor and soul-crushing uniformity of the surveillance...
Jul 23, 2019 — He even walks in stereo. So proclaims a kid on a stoop toward the beginning of Do the Right Thing; he’s stunned by the sun but also by the sight and sound of Radio Raheem. Raheem is silent but so...
The Daily
Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.
The Daily
Jul 17, 2019 — The program of more than three hundred films includes new work by Pedro Costa, Koji Fukada, and Jeanne Balibar.
Features
Jul 17, 2019 — In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...
Jul 16, 2019 — Armando Iannucci will open London, and Locarno and Venice are preparing their 2019 lineups
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...