The Criterion Collection
Mar 13, 2000 — The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...
Essays
May 31, 1999 — In Abbas Kiarostami’s universe, it might be said, there are no things, only relations between things. Likewise, in his cinema: no films, only relations between films—and within them. And between them and us.Three and one. The most celebrated of Iran’s...
Essays
Sep 25, 1995 — Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.
Essays
Nov 15, 1994 — Andrzej Wajda’s third full-length film established the director as a leader of the new Polish cinema.
Jan 5, 1993 — All right, I’ll just say it. Monty Python and the Holy Grail is the most sublimely irreverent, most jaw-droppingly hysterical movie of the last twenty years. How many films, after all, have Knights who say “Ni!,” filth-eating peasants, and 160...
Apr 20, 1992 — Tanya: Oh, James, James, will you make love to me all the time in England? James Bond: Day and night! Sean Connery returns in From Russia with Love in the best of all of Ian Fleming’s stories. Filled with sex,...
Essays
Dec 11, 1989 — Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.
Nov 17, 1986 — The best of all the Spencer Tracy/Katharine Hepburn comedies, Adam’s Rib is as fresh and topical today as it was in 1949 when it was first released. Written by Ruth Gordon and Garson Kanin and directed by George Cukor, this...