The Criterion Collection
The Daily
Nov 14, 2018 — He transformed a fledgling comic book publisher into a juggernaut brand.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
Oct 30, 2018 — A showcase for some of Boris Karloff’s most nuanced acting, this beguiling horror gem is perfect Halloween viewing.
The Daily
Oct 29, 2018 — With Lee Chang-dong’s latest film opening in U.S. theaters, we take a look at the second wave of critical response.
Oct 29, 2018 — Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.
The Daily
Oct 29, 2018 — At eighty-six, the renowned director and screenwriter stars in Kenneth Lonergan’s The Waverly Gallery.
In Theaters
Oct 24, 2018 — The filmmaker behind the provocative indie hit Sorry to Bother You talks at Indiana University Cinema this week about a Paul Schrader masterpiece that has deeply influenced him.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
The Daily
Oct 16, 2018 — With Happy New Year, Colin Burstead, the British director returns to the nit and grit of his early features.