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Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Jan 9, 2017 Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with past best picture awards going to films like Michelangelo...

The Call of the Wild

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Jan 1, 2017 The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...

Dec 20, 2016 With only three features under her belt, German director Maren Ade has become one of contemporary cinema’s keenest observers of human behavior.

Graham Greene on Sabotage

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Dec 13, 2016 Yesterday, we kicked off our Criterion Channel series Spy Games by sharing Graham Greene's review of Jacques Feyder’s Knight Without Armour, a highlight in the lineup. Today, we’re focusing on another title in the series, Sabotage, which marked “the first...

Dec 5, 2016 A biting satire of bourgeois frivolity, the 1962 surrealist masterpiece The Exterminating Angel is one of Spanish auteur Luis Buñuel’s most macabre creations. In this follow-up to the scandalous, Palme d’Or–winning Viridiana, Silvia Pinal and an ensemble of Buñuel regulars...

Nov 2, 2016 The morning after opening his first theater in Brooklyn, Alamo Drafthouse cofounder stopped by Criterion to chat about his life as a collector

Oct 21, 2016 Juzo Itami’s 1985 “ramen western” is back in theaters, in a 4K restoration, for the first time in decades. Here, we compile a selection of articles and videos to offer a taste of this outrageous culinary comedy.

Sep 23, 2016 Writer Amy Fine Collins discusses the costume designs by Travilla that are featured in Mark Robson’s 1967 melodrama.

Aug 11, 2016 Gus Van Sant’s groundbreaking 1991 work of New Queer Cinema, which follows the relationship between a narcoleptic haunted by feverish dreams of his past and the rebellious son of a mayor, is showing at the George Eastman Museum.

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