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Old Man Khottabych

Jan 2, 2017 With the debut of Me and You and Everyone We Know on the Criterion Channel, the acclaimed multi-hyphenate discusses her evolving creative process and her love of Jane Campion.

Exile at Home

Features

Dec 18, 2016 Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

Dec 12, 2016 Patriotic masterminds choreograph capers from secret headquarters while dashing secret agents execute their plans by the light of flashing blades and gunfire. Jeopardy escalates second to second until our heroes and heroines escape by the skin of their teeth. Spy...

Nov 28, 2016 PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...

Nov 22, 2016 The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Nov 16, 2016 The joy of new love collides with the anxieties of everyday life in Paul Thomas Anderson’s off-kilter foray into romantic comedy.

Masters of Suspense

On the Channel

Nov 11, 2016 This week’s Friday Night Double Feature on the Criterion Channel demonstrates how much suspense a superb director can wring from an intriguing premise without resorting to yelling “boo!” or splashing gore.

Nov 8, 2016 This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.

Murderers Among Us

On the Channel

Nov 3, 2016 Our first Friday Night Double Feature on the Criterion Channel pairs two chilling serial-killer films: Fritz Lang’s M and Jonathan Demme’s The Silence of the Lambs.

Oct 31, 2016 In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.

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