The Criterion Collection
Jun 17, 2013 — The silent legend practices slapstick with clockwork precision in his most iconic, astonishing comedy.
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Apr 19, 2013 — Did You See This?• Mapping out the world of Wes Anderson • Cannes 2013—and away we go! • Kurosawa, Godard, Herzog, Milius—just your average hangout • John Lurie returns to the rod and the reel. • For the love of...
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.
Feb 5, 2013 — Keisuke Kinoshita’s most experimental film is a resplendent, kabuki-inspired, folk-derived drama about mortality.
Jan 30, 2013 — The improvisational arts of filmmaking, jazz, and chili.
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.