Cicciolina my love

Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.

Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...

Nov 18, 2017 — Don Hertzfeldt “has created a singular universe of stick figures in crisis,” writes David Ehrlich, introducing his interview for IndieWire. “One of life’s few perfect things, World of Tomorrow [2015] is as mordantly funny and existentially fraught as anything Hertzfeldt...

Nov 16, 2017 — “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

Nov 14, 2017 — Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Nov 13, 2017 — Angela Watercutter’s interview with Steven Soderbergh is actually a sidebar to her piece for Wired on the making of Mosaic—not the browser that put the World Wide Web in the global spotlight back in 1993, but the iOS app that...

Nov 12, 2017 — On November 4, almost a month to the day after Jodi Kantor and Megan Twohey reported for the New York Times on the accusations of sexual harassment and abuse leveled against Harvey Weinstein, Mark Harris tweeted: “Thing I've been hearing...

Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...