The Life of an Actor

May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.

Apr 16, 2018 — Just before the release of her new film You Were Never Really Here, Lynne Ramsay spoke with us about her early moviegoing life in Glasgow, the version of herself that emerges on set, and the mind-expanding power of chess.

Dec 17, 2017 — Norwegian director Joachim Trier talks about how Louis Malle’s 1963 masterpiece The Fire Within inspired his sophomore feature Oslo, August 31st.

Dec 14, 2017 — Guillermo del Toro will co-write (with Kim Morgan), direct, and produce a remake of Edmund Goulding’s Nightmare Alley (1947; image above), reports Variety’s Justin Kroll, noting that the original “starred Tyrone Power as an ambitious young con-man who hooks up...

Aug 26, 2017 — Alexandro Segade covers a lot of ground in his piece for Artforum on Sense8, the Netflix series created by Lana and Lilly Wachowski and J. Michael Straczynski which was cancelled this summer but granted one last two-hour episode for tying...

Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.

Jun 23, 2017 — Kirsten Johnson joined Illeana Douglas for an evening of conversation and a screening of Cameraperson at the Wing, a women’s club that recently opened in Manhattan.

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Jan 17, 2017 — George Washington actor Curtis Cotton III and David Gordon Green A few years after graduating from the North Carolina School of the Arts in 1998, David Gordon Green found critical success with his debut feature, George Washington, a lyrical coming-of-age story...

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.